My July 1982 Brett Kavanaugh Calendar!

When I saw K’s July 1982 calendar in the news, it made me wonder whether I still have my calendar from 1982. I was doing a bit of tidying today, and voila, look what I found!

Mine is not as interesting as K’s! The numbers (9, 10, 11, 12) on Tuesdays represent (I think) the week number of summer vacation.

I have no idea what I was keeping a daily record of. I’m guessing it was something like good days vs bad days, which would mean I had 23 good days and 8 bad days.

The entry on July 24 was a picnic. Tina was my crush in middle school and high school, and she invited me to go on a picnic in Lorimer Park (which I misspelled). But it was three of us: me, Tina, and her BOYFRIEND, so not so much fun for me.

I’m not sure what I drew in the box for the 24th. It looks like a telephone handset. Maybe I had a phone call that day with my friend, Howard.

I didn’t throw this away as part of my tidying. It qualifies as something that brings me joy, as defined by the KonMari method. And besides, I might need it one day if I ever get nominated to the Supreme Court.


I’ll See You Tomorrow, God Willing

When a friend told me she liked Herschel Bernardi’s version of Sunrise Sunset, I decided I needed to find the whole album online. I grew up listening to this album on vinyl, and it was what I knew before the movie came out in 1971.

I found it on Amazon, and I downloaded it and started listening to it. It brought back happy old memories of my childhood. And surprisingly, I remembered all the words, including the spoken parts.

The album has two songs that were not in the movie or the Broadway show: “When Messiah Comes” and “Fiddler on the Roof’. I especially like “When Messiah Comes”.

This song begins with a spoken part that includes these lines:

Here, you never say, “I’ll see you tomorrow.” You say, “I’ll see you tomorrow, God willing.” Because, who knows, with one good pogrom, you could be driven out of town forever.

This sentiment is sadly still relevant today, even in this country. If you go to religious services, you don’t know if you will be alive tomorrow.

The song offers a ray of hope in a scary time. When Messiah comes, everything is going to be all right.

I Used To Be A Heart Beating For Someone

“I used to be a heart beating for someone.” In case you don’t recognize this line, it’s a lyric from Elton John’s song, Philadelphia Freedom. I must have listened to this song hundreds of times since Elton wrote it in 1975 for his friend Billie Jean King, in honor of her tennis team, the Philadelphia Freedoms. But today was the first time that I really noticed this line and what it might mean.

On the surface, this is a song about the city of Philadelphia. 1975 was the year before the nation’s bicentennial. So, freedom and Philadelphia were on people’s minds, and the song fit right in. But the song is also about relationships.

I used to be a heart beating for someone
But the times have changed

It’s pretty obvious this line is about lost love.

Cause I live and breathe this Philadelphia freedom

How many times have you felt like you were free after the end of a relationship? I know that I’ve been guilty of that multiple times.

Oh Philadelphia freedom, shine on me, I love you
Shine the light, through the eyes of the ones left behind

And if you’re not convinced that the freedom that he loves is the freedom derived from walking away from bad relationships, here are some more lyrics.

If you choose to you can live your life alone
I like living easy without family ties

But the freedom is an illusion. Or freedom doesn’t imply happiness, as Elton so eloquently states later in the song.

I like living easy without family ties (living easy)
Till the whippoorwill* of freedom zapped me
Right between the eyes

Philadelphia Freedom
Songwriters: Bernie Taupin / Elton John
Philadelphia Freedom lyrics © Universal Music Publishing Group

* A whippoorwill is a North American songbird. It is known for its singing and its camouflage.


Zero Envy


I still remember when Fiddler on the Roof came out as a movie in 1971. I had just turned ten years old. My parents had the album from the Broadway show, and we listened to it all the time on the record player. And I even played all the songs on the piano. Simplified version, of course. I was only ten years old.

I still have the piano book. Yes, this is the same book that I played from back in 1971, taped up and all. I sat down at the piano tonight, and I could still play all the songs. It’s like riding a bicycle,


I think I also had a cassette tape of the music, which I listened to in my room on my portable tape recorder. I recorded it from the record by holding up the microphone to the speaker on the stereo that was playing the record. That’s how I recorded things in those days, either from a record or from the radio. The recording would always have background noise, like my sister or my parents talking, or the telephone ringing.

I don’t still have the tape recorder, but it looked something like this (photo courtesy of Ebay).


Back to Fiddler, I remember when the movie came out, I was disappointed that Tevye wasn’t played by Zero Mostel. Who was this Topol? An Israeli actor? I felt like I was missing out, since I was too young to have seen the live broadway show with Zero.

After seeing the movie, I thought Topol did a fine job. But all these years, I’ve always wondered what it would have been like to see the real Tevye.

Tonight, I had this crazy idea that maybe there was a video of Zero Mostel playing Tevye, and maybe it was on YouTube. So I looked, and voila, look what I found! Yes, a video of Zero Mostel performing If I Were a Rich Man on the broadcast of the 1965 Tony Awards. Enjoy!